In July local band Inland Sea and I hung out for half a day to shoot some new press shots for them. A shoot 6 months in the making (trying to find a common availability for 10 people in a band is a nightmare) we managed to shoot them before they headed out to play at the Red Deer fest. The first shot is probably my most favourite portrait all year so far. A concept that I came up with from the initial chat we had in December, there was a lot of pressure to pull it off. After a few frames a big juicy spider crawled up Steele’s shirt but even with those few frames we managed to nail the above pic. Read the rest of this entry »

So Rave magazine is turning 1000. Their next issue is their 1000th issue in 20 years. On Friday 15th July they are having a mega birthday party and ONE of the headliner acts is a Brisbane megaband that has been appropriately named the BrisBand Experience. The band consists of a melting pot of members from current and past local bands including Katie Noonan (george), Steve Pope (drummer with Kate Miller-Heidke, transport), Thomas Murphy (Bloodpoets), Dan James (Drawn from Bees), Caleb James (Rhubarb), Tony Garret (The Boat People) and Ben Dalton (Hungry Kids of Hungary).

As Rave wanted to feature this band on the cover of their 999th issue, and as this band being a one off effort did not have any press shots, I was given the task to shoot the cover and inlay shots for the issue. This was one of those sessions that I had to bring the studio to the band. With all the band members currently doing other projects we had only ONE 2 hour period where the whole band could be in the once place at the one time….in the rehearsal studio TWO days before the issue hit the newstands.

So with a portable studio in tow and armed with concepts, plans and back up plans I was able to shoot the cover shot and inlay shots PLUS back up shots in the rehearsal room next door to the space the band were rehearsing in.

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Just a quick entry to share with you the final result for Bec Plath‘s EP cover that we shot in the same session as these press shots I have previously mentioned in another blog. Working with Bec was so easy. Usually the hardest part is concept developing for a band, but with Bec the concept was nutted out in one 1/2 hour facebook conversation. She showed me reference images of covers she liked, and I had wanted to work with falling glitter for a while so I pitched this idea to her. She loved it, and the shoot seed had been planted.

Things that I began to study after that is WHAT made a good cover image. Looking at lighting and how they are shot, I settled on a mysterious half lit/ half shadow lighting treatment. I also really wanted to have only a sliver of focus and as I don’t have any ND filters for my 50mm I settled on using my recently acquired Tilt Shift lens. Not only was I able to selectively focus on the eyes, but it was also given to me with a polariser filter that acted as a bit of an ND filter making me able to shoot a little more wide open with the lens.

On the light, I shot with a basic reflector and used baking paper to diffuse the light a touch. I had also bought from Reverse Garbage some old theatre lighting gels which included some ‘ND’ style gels (basically dark – neutral coloured gels to stop down the light). As I wanted the light really close to Bec to get this type of fall off on her, I used some of these gels to try and bring down the intensity of my light.

On top of all this, the shoot was held in my rather small living room. So to stop lighting bouncing all over I used a flag close to the right side of her face to bring out the shadows.

Anyway enough on the technical, Bec’s EP is being released on the 6th August at Beetle Bar. At the moment the image above is being used on the tour poster, the actual album artwork to be released later.

A week ago I worked with talented local musician Bec Plath on her EP Cover and press shots. I am still making the final touches on her cover but for now her press shots have been released to the world. Check them out.

Bec was an ABSOLUTE pleasure to work with. A musician who trusted my concept, using locations that had been on my ‘wishlist’ to shoot at for a while, and a truly easy and beautiful subject to shoot.

I am really excited by the EP Cover too. I will put it up here when it is all released.

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Earlier this month I was asked to shoot press shots for Fatty Gets A Stylist, a new music project between Kate Miller Heidke and her husband Kier Nuttall.

This shoot was kind of difficult as the brief and reference shots for their concept meant that I needed to use available light during nightfall. Not only was this difficult for me as it was quite different to how I usually worked with bands shots, but also I had to shoot most of these at high apertures and low ISOs (to even out the shadows and highlights in the available light) thus resulting in quite slow shutter speeds.To get shots in focus we shot each frame multiple times with count downs to hold the poses.

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In April I was invited along to Band Camp Fast Track, a four day music workshop for emerging musicians put on by the Moreton Bay Region Council.

I was asked to run 45 minute press sessions with the bands and musicians in attendance and show them the ropes of having their photos taken.  With each band I attempted a few different looks with the aim to deliver 2 – 3 photos each.

With an hour before hand to location scout this shoot had the challenge of being shot at QUT Carseldine campus, a location that proved to be not very inspiring.

Armed with 400W strobes and a bit of creativity we were able to pull 5 different looks from the grounds.

Julz de Maria

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So a few months ago I spent half a day collaborating with electronic pop-folk act My Cerulean Heart along with local fashion designer, body artists and make up and hair stylists. It was a fun shoot that saw me test out a few ideas, a handmade paper backdrop, fire and chicken wire hearts and shooting through a toy camera. Though the toy camera achieved rather off results (soft and dirty with a lot of dust) I kind of liked how it turned out. I think it suited the look that the guys were going for.

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Just after Splendour I photographed up and coming band Calais in a promo session. We tackled a couple of safe shots plus one idea I wanted to try using fluoros that the band now want to use for branding. All the boys are still in high-school and are currently regularly gigging. Check them out.

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Late last year Kylie Keene and myself joined forces to shoot some band promos for young screamo band Detached from Reality. James, a family friend of Kylie, and a young music photographer himself, and his band were good sports while we played getting these shots.

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Almost two months ago I did a session with Tim Lloydell and the Deckchairs. They performed at the UnderExposed exhibition, and it was a quick session in return for them playing. It was a fun shoot, almost cancelled due to rain.

More shots below